Demi Kromidellis' work questions whether she is able to truly connect to the weight her ethnicity holds as a third-generation Australian. She applies an archival approach to themes of cultural loss, displacement, death and immortality through the use of photographs, oral histories, handwritten text and inherited objects. The intricacies of the archives physicality and contents are re-photographed and enlarged through the darkroom process, these are then pieced together in an attempt to make sense of the past lived experiences of her ancestors. Despite the generational effect of cultural customs and stories being lost as time progresses, Demi utilises the limited sources indicative of her Greek background to connect to her cultural identity. However, these fragmented realities of what life once was for her ancestors often lead to more questions rather than answers.
Demi Kromidellis is a multi-award winning emerging artist that has completed a Bachelor of Fine Arts (Honours) at the Victorian College of the Arts, The University of Melbourne. Her photographic work has been exhibited at Abbotsford Convent, 138 Gallery, the Museum of Australian Photography, and Te Waka Tūhura Gallery in Auckland, New Zealand. She was shortlisted for the Majlis Travelling Scholarship at the Fiona and Sidney Myer Gallery, and was the recipient of the Evans Family Award for Photography at the VCA Graduate Show 2023, as well as the Fiona Myer Award at the VCA Graduate Exhibition 2024. Most recently, she presented her work in an independently run exhibition at a temporary space for the collaborative project proika, facilitated by networking group yitonia.
Photograph taken by Dean Kotsianis at the Victorian College of the Arts.